He does generate more sympathy this time around, but that can be attributed to the Gill Man's situation (e.g., it's sad watching him eat out of a basket like a lab rat.speaking of lab rats, Clint Eastwood has a quick unbilled role as a lab technician who almost loses a rat). It lacks the sexual undercurrent of Creature from the Black Lagoon, with the Gill Man becoming more of a traditional monster. Let no Gill Man come between John Agar and Lori Nelson.ĭirector Jack Arnold, who also helmed the first film, always had a flair for exciting visuals. The second highlight occurs near the climax when the Creature makes an impromptu appearance at a seaside dinner club, grabs Helen, and dives off a pier. The first occurs when the Gill Man breaks free from his chains and climbs out of a giant tank, lumbering through the crowd as he heads to the beach. It's primarily an excuse for a couple of nifty scenes. There's not much to the plot of this sequel, which, like its predecessor, was filmed in 3D. It's a miserable experience for the Gill Man.except for the presence of science student Helen Dobson (Lori Nelson), who appears to have replaced Kay (Julie Adams) as the object of his affections. It turns out that he somehow survived-only to be captured again and sent to a Florida aquarium where he can be studied by scientists and gawked at by tourists. When the Gill Man was last glimpsed at the end of Creature from the Black Lagoon (1954), his limp bullet-riddled body was drifting in the water. The Creature runs amok at the Ocean Harbor Oceanarium.
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